Summary of Sweetie fails at this point to capture the crisply distanced way that Campion presents this ensemble and works out their interplay. Eventually, we meet Kay and Sweetie's parents, Gordon (Jon Darling) and Flo (Dorothy Barry), and learn that Gordon has spent most of his life spoiling Sweetie, encouraging her to believe that she has an abundance of talent. Their life has just stalemated into sexlessness when Sweetie arrives, with her "producer," a narcoleptic guy named Bob (Michael Lake), in tow. Louis has just gotten engaged to another woman, but before you know it, he and Kay are living together. He's Louis (Tom Lycos), who, when Kay meets him, has a lock of hair dangling down over a mole on his forehead, an irresistible embodiment of the prophecy of the tea leaves. Kay is the kind of person who, when a fortune teller reads her tea leaves and sees a man with a question mark in his face, almost immediately runs into one. The point of view is largely that of Kay (Karen Colston), a neurotic young woman - among other things, she suffers from dendrophobia, the fear of trees - with a sister, Dawn (Geneviève Lemon), aka "Sweetie," who dances on the edge of psychosis for much of the film until she finally goes over the edge. It can make you laugh but uneasily, because its characters are so damaged and unpredictable that there's an element of pity and fear in our responses to them. I use the word "tragicomedy" reluctantly because there's no easy way to capture the tone of Campion's film. Jane Campion's Sweetie is a sharply filmed, deftly styled, rawly acted family tragicomedy, and one of the most remarkable feature directing debuts in movie history. Michael Lake, Karen Colston, Tom Lycos, and Geneviève Lemon in SweetieĬast: Geneviève Lemon, Karen Colston, Tom Lycos, Jon Darling, Dorothy Barry, Michael Lake, Andre Pataczek, Jean Hadgraft, Paul Livingston, Louise Fox, Ann Merchant, Robyn Frank, Bronwyn Morgan.
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